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About Bandung

  • The earliest reference to the city dates back to 1488, but archaeological findings suggest a type of Homo erectus species had lived on the banks of the Cikapundung River and around the old lake of Bandung. During the seventeenth and eighteenth centuries, the Dutch East Indies Company (VOC) opened plantations in the Bandung area. A supply road connecting Batavia (now Jakarta), Bogor, Cianjur, Bandung, Sumedang and Cirebon was built in 1786. In 1809, Napoleon I, the Emperor of the French and conqueror of much of Europe including the Netherlands and its colonies,(before his ultimate downfall at Waterloo in 1815) ordered the Dutch Indies Governor H.W. Daendels to increase the defensive systems of Java against the British from India. Daendels built a road, stretching approximately 1,000 km (621 miles) from the west to the east coast of Java, and passing through Bandung. In 1810, the road was laid down in Bandung and was named De Groote Postweg (or the 'main post road'), the present-day site of Asia-Afrika Street. Under Daendels' orders, R.A. Wiranatakusumah II, the chief administration of the Bandung regency at that time, moved its office from Krapyak, in the south, to a place near a pair of holy city wells (sumur Bandung), the present-day site of the city square (alun-alun). He built his dalem (palace), masjid agung (the grand mosque) and pendopo (public-official meeting place) in the classical orientation. The pendopo faces Tangkuban Perahu mountain, which was believed to have a mystical ambience.
  • In 1880, the first major railroad between Batavia and Bandung was built, boosting light industry in Bandung. Chinese from outside the city flocked in, to help run facilities, services and selling vendor machines. The old Chinatown district in Bandung is still recognisable in the railroad station vicinity. In 1906, Bandung was given the status of gemeente (municipality) and then later as stadsgemeente (city municipality) in 1926.
  • In the beginning of the 1920s, the Dutch East Indies government made plans to move the capital of Dutch East Indies from Batavia to Bandung. Accordingly, during this decade, the Dutch colonial government started building military barracks, the central government building (Gouvernments Bedrijven, the present-day Gedung Sate) and other government buildings. This plan, however, was cut short by World War II after which the Dutch were not able to re-establish their colony.
  • The fertile area of the Parahyangan Mountains surrounding Bandung supports productive tea plantations. In the nineteenth century, Franz Junghuhn introduced the cinchona (kina) plant. With its cooler elevated landscape, surrounded by major plantations, Bandung became an exclusive European resort area. Rich plantation owners visited the city on weekends, attracting ladies and business people from the capital, Batavia. Braga Street grew into a promenade street with cafes, restaurants and boutique shops. Two art-deco style hotels, Savoy Homann and Preanger, were built in the vicinity of the Concordia Society, a club house for the wealthy with a large ballroom and a theatre. The nickname "Parijs van Java" was given to the city.
  • After the Indonesian Independence in 1945, Bandung was determined as the capital of West Java province. During the 1945–1949 independence struggle against the Dutch when they wanted to reclaim their colonies, Bandung was one of the heaviest battle places. The Dutch military commander set an ultimatum for the Indonesian combatants in Bandung to leave the city. In response, on 24 March 1946, much of the southern part of Bandung was deliberately set alight as the combatants left; an event known as the Bandung Lautan Api or 'Bandung Sea of Flame'.
  • In 1955, the first Asian-African Conference -- also known as the Bandung Conference -- was held in Bandung by President Soekarno, attended by head of states representing twenty-nine countries and colonies from Asia and Africa. The conference venue was at the Gedung Merdeka, the former Concordia Society building. The conference announced 10 points of declaration on world peace promotion and oppositions against colonialism, known as the Declaration of Bandung, which followed by wave of nationalism movements around the globe and remapped the world politics. The conference was also the first international conference of people of color in the history of mankind. Richard Wright in his book, The Color Curtain, captured the epic meanings of the conference for people of color around the world.
  • In 2005, the concurrent Asian-African Conference also taking partly in Bandung, bringing world figures such as President of Indonesia Susilo B. Yudhoyono, President of China Hu Jintao, Prime Minister of India Manmohan Singh, President of South Africa Thabo Mbeki, President of Nigeria Obasanjo, and countless other luminaries.
  • In 1987, the city boundary was expanded with the Greater Bandung (Bandung Raya) plan; a relocation of higher concentration development outside the city in an attempt to dilute some of population in the old city. During its development, however, the city core is often uprooted, old faces are torn down, lot sizes regrouped, and what was idyllic residence is bustling chain supermarkets and rich banks.
  • Bandung is renowned for its large stock of Dutch colonial architecture; most notably the tropical Art Deco architectural style. Henri Maclaine-Pont is among the first Dutch architects who realized how important to combine each architectural style with culture of local people. He stressed that modern architecture should be evolved from local history and native elements. In 1920, Pont planned and designed buildings for the first technical university in the Dutch East Indies, Technische Hogeschool te Bandung (the present-day Institut Teknologi Bandung), after which he was named as a professor in architecture at the university. A striking local Javanese roof style is noticeably seen on top of the campus' ceremonial hall, embedded in his artwork.
  • In the same year, another Dutch architect, J Gerber, designed Gouverments Bedrijven (Government Companies) in line with the colonial government plan to move the capital from Batavia to Bandung. The building is an example of a harmonious mixture between West and East architectural styles, particularly the Italian Renaissance style of arch structures in the west wing and Thailand's pagoda-like structures in the middle section. The building is known as Gedung Sate, named after the distinguished small satay shaped structure on the roof, and used as the head office of West Java provincial government and West Java's house of representative.
  • The modern and native architectural blending was followed by several Dutch architects that have shaped the city landmarks. In the 1930s, Bandung was known also as the city of architecture laboratory because of many Dutch architects made some experiments with new architectural designs. Albert Aalbers added the expressionist architecture style to the Art Deco by designing the DENIS bank (1936) and renovated the Savoy Homann Hotel (1939). C.P.W. Schoemaker was one of celebrated architects who strongly added native elements in his artworks, including the Villa Isola (1932), Hotel Preanger (1929), the regional military headquarter (1918), Gedung Merdeka (1921) and ITB Rectorate Building (1925).
  • The north of the city serves as a water reservoir for Bandung's 2 million people, however, the area has seen much residential development. Several attempts to reserve this area have been made, including the creation of reserves, such as the Juanda National Park and Puncrut, but the development continues. The real danger has come in the form of several floodings in Bandung's south.
  • In the middle of 2006, Bandung faced another environmental disaster, as the city's land fill site was reevaluated after a landslide in 2005. Collection of 8,000 m3/day domestic garbage piled up, causing air pollution, spreading of diseases, and water contamination. The provincial government eventually stepped in to solve the garbage issues.
  • Bandung has served for popular weekend-break destination for people living in Jakarta. The cooler climate of highland plantation area, the varieties of food, the cheaper fashion shops located in factory outlets and distros, golf courses are attractions of the city.
  • In the 1990s, local designers opened denim clothing stores along Cihampelas Street which transformed into a "jeans street". The city attracts people from other big cities to buy local fashion wears, as they are cheaper than branded items. Beside at Cihampelas Street, many factory outlets also opened at Riau Street, Setiabudi Street, and Djuanda Street (known as Dago). Textile factories on the outskirts of Bandung have opened factory outlets on site selling what is marketed as sisa export (rejected or over-produced export quality items). Bandung Supermal, Bandung Indah Plaza, Ciwalk acronims of Cihampelas Walk and Paris van Java are famous shopping centres in Bandung.
  • In Bandung Supermal area is being built Trans Studio Bandung with 4.2 hectares indoor area. One of rider, launch coaster is one of three in the world (the other two in US). At the same area also will be built 3 stars and 6 stars (first in Bandung) hotels.
  • Significant tourist sites nearby to Bandung include the Tangkuban Prahu volcano crater to the north and the striking Kawah Putih volcano lake about 50 km to the south.
  • Bandung economy is mainly built upon tourism, manufacturing, textile/apparel, education institutions, technology, retail, services, plantation/agriculture, financial, pharmaceutical, food, among others. Those are the major investments and most popular fields/industries being sought here.
  • Bandung has nearly 50 higher educational institutions and is among the most popular destination for education in Indonesia. Creative-based culture has shaped the basis of Bandung economy. The once quiet residential district of Dago has become an important business and entertainment centre. Chic cafes and restaurants are spreading out along Dago Street. In the early 1990s Cihampelas Street became a popular clothing store location.
  • The distro sell stylish non-trademarked products, made by local designers. Books, indie label records, magazines, fashion products and other accessories are typical distro products. After their products receive large teenagers attention, then these local designers make their own clothing company. Now, there are more than 200 local brand names in Bandung. Distro distance itself from factory outlet in term of its philosophy. Distros come from individual designers and young entrepreneurs, while factory outlet products come from a garment factory.
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